An examination of how Superman and Batman dealt with cultural and social changes in the 1960s and 1970s and how this mirrored American societal changes in general. As the founding fathers of the superhero comic books, Superman and Batman have defined a genre of American mythology from the mid-twentieth century to the present. The author describes how the Man of Steel and the Dark Knight dealt with their midlife crises brought on by the cultural and social changes of the 1960s and 1970s. Johnson describes how the superheroes' problems and adaptations mirror much of American societal changes during that time. Superheroes in Crisis is the second book published in the RIT Press Comics Studies Monograph Series. The series editor is Dr. Gary Hoppenstand, Professor of English at Michigan State University. JEFFREY K> JOHNSON is a World War II Historian at the Joint POW/Accounting Command in Honolulu, Hawaii. He is the author of several books and articles on the influence of comics in popular culture.

Why do people attack monuments and other public objects charged with authority by the societies that produced them? What do open assaults on images and artworks mean? Iconoclasm, the principled destruction of images, has recurred throughout human history as theory and practice. This book contains seven historical studies of the changing causes and meanings of iconoclasm and the radical transformations in the function of images it has brought about in societies around the world, from Ancient Egypt to Islamic India and Revolutionary Mexico, as well as Medieval and Reformation Europe. Scholars of art history, history and archaeology explore shifting definitions of art and the forms of representation in delineating varied forms of 'iconoclasm'.

This book, originally published in 1981, provides the student and general reader alike with a fascinating account of the dynamic re-emergence of Germany after the Second World War as one of the world's leading and most powerful states. The book gives extensive coverage to all aspects of the former West Germany's political, social and economic arrangements. As well as dealing with the Basic Law, parties, Bundestag and government, it also discusses neglected subjects, such as education, the armed forces, welfare services, the role of women, the economy and industrial relations and the mass media.

Outlining state-of-the-art developments in the area of complexity and design, this book collates them into a unique and authoritative resource for both the design and complex systems communities. The book is based on research which focuses on a variety of different themes and domains, including architecture, engineering, environmental design, art, fashion and management. A ground-breaking publication marking a new era of appreciation of the import of complexity on design, this book is essential reading for those studying complexity or design.

This book, originally published in 1981, provides the student and general reader alike with a fascinating account of the dynamic re-emergence of Germany after the Second World War as one of the world's leading and most powerful states. The book gives extensive coverage to all aspects of the former West Germany's political, social and economic arrangements. As well as dealing with the Basic Law, political parties, Bundestag and government, it also discusses neglected subjects, such as education, the armed forces, welfare services, the role of women, the economy and industrial relations and the mass media.

Outlining state-of-the-art developments in the area of complexity and design, this book collates them into a unique and authoritative resource for both the design and complex systems communities. The book is based on research which focuses on a variety of different themes and domains, including architecture, engineering, environmental design, art, fashion and management.

A ground-breaking publication marking a new era of appreciation of the import of complexity on design, this book is essential reading for those studying complexity or design.

The overall aim of this book, an outcome of the European FP7 FET Open NESS project, is to contribute to the ongoing effort to put the quantitative social sciences on a proper footing for the 21st century. A key focus is economics, and its implications on policy making, where the still dominant traditional approach increasingly struggles to capture the economic realities we observe in the world today - with vested interests getting too often in the way of real advances. Insights into behavioral economics and modern computing techniques have made possible both the integration of larger information sets and the exploration of disequilibrium behavior. The domain-based chapters of this work illustrate how economic theory is the only branch of social sciences which still holds to its old paradigm of an equilibrium science - an assumption that has already been relaxed in all related fields of research in the light of recent advances in complex and dynamical systems theory and related data mining. The other chapters give various takes on policy and decision making in this context. Written in nontechnical style throughout, with a mix of tutorial and essay-like contributions, this book will benefit all researchers, scientists, professionals and practitioners interested in learning about the 'thinking in complexity' to understand how socio-economic systems really work.

The overall aim of this book, an outcome of the European FP7 FET Open NESS project, is to contribute to the ongoing effort to put the quantitative social sciences on a proper footing for the 21st century. A key focus is economics, and its implications on policy making, where the still dominant traditional approach increasingly struggles to capture the economic realities we observe in the world today - with vested interests getting too often in the way of real advances. Insights into behavioral economics and modern computing techniques have made possible both the integration of larger information sets and the exploration of disequilibrium behavior. The domain-based chapters of this work illustrate how economic theory is the only branch of social sciences which still holds to its old paradigm of an equilibrium science - an assumption that has already been relaxed in all related fields of research in the light of recent advances in complex and dynamical systems theory and related data mining. The other chapters give various takes on policy and decision making in this context. Written in nontechnical style throughout, with a mix of tutorial and essay-like contributions, this book will benefit all researchers, scientists, professionals and practitioners interested in learning about the 'thinking in complexity' to understand how socio-economic systems really work.

What makes this book of great value for the Christian interpreter is the fact that Dr. Johnson not only examines and explains the text from the Christian perspective he also helps the reader understand how the Jewish rabbis for many centuries have explained these first words of their sacred text. Johnson draws on his rich background in Hebrew, Aramaic, Targums, and Christian theology to explain the text.

John Donne discussed as an original religious thinker, drawing on his extant sermons for evidence of his personal theology. John Donne is here treated as an original religious thinker; the evidence for the distinguishing features of his theology is drawn primarily from his extant sermons studied in context, beginning with an exploration of what is forDonne the fundamental belief for regulating Christian faith and practice, the doctrine of the Trinity. Building on this theological groundwork, Johnson goes on to examine such topics as Donne's understanding of common prayer; thepre-eminence of sight and spectacle, in terms of religious self-fashioning and the iconoclastic controversy; the doctrine of repentance, in conjunction with Donne's own sense of clerical calling; and the doctrine of grace, including Donne's views regarding the controversy over the Lord's Supper. JEFFREY JOHNSON is Professor of English at Northern Illinois University.

Do you know there has to be more to marriage than what you are experiencing right now? Are you tired of trying to make things work? Do you want God to help you choose a mate, but you're not quite sure what to do? Has your romantic bedroom turned into a deep freeze? Do you feel you are always on the giving end of relationships? Because the church is often so quiet on such issues, we mistakenly assume God is quiet, but He's not. The book The Song of Solomon, Love, Sex and Relationships brings that Bible story to life and shows us God's message is still relevant for today. Used alongside the book, the thought-provoking questions in this study guide will help you get to know yourself better, communicate with others, and apply truths to guide you in living life more fully. Great for individuals, couples or group study! Pastor Jeffrey A. Johnson, Sr. is senior pastor of Eastern Star Church in Indianapolis, Indiana. Pastor Johnson is a graduate of Bishop College in Dallas, Texas; has attended Christian Theological Seminary in Indianapolis; and received an honorary Doctor of Divinity degree from Saint Thomas Christian College, Jacksonville, Florida. Pastor Johnson became pastor of Eastern Star Church in 1988 and the church has grown under his leadership from 500 to over 10,000 members. In addition, three thriving independent church plants have been established through Eastern Star Church in the past five years. A devoted husband, Pastor Johnson and his wife, Sharon Henry Johnson, are the dedicated parents of four sons: Jeffrey Allen, II, Jordan Adam, Jalon Alexander and Josiah Andrew. Pastor Johnson is committed to preaching and teaching the gospel of Jesus Christ, ministering holistically tothe congregation and community, and lifting the cause of social justice in our world.

Haiku Poetics in Twentieth Century Avant-Garde Poetry is the first study to examine the historical importance of haiku in theorizing a global poetic, tracing its spread from translations to practice, and following its permutations into diverse modernist avant-garde poetry. While Haiku Poetics is an investigation into the cultural borrowing of haiku, it also documents interpretation and transformation, as even the translators George Aston and Paul-Louis Couchoud moved beyond translation in the acquisition of haiku. The French translations focused on Yosa Buson's visual haiku, while the English prioritized Matsuo Bash?'s lyricism. After the first translations, haiku was disseminated throughout the world of poetry. This book argues that haiku grew out of a broad Japonisme and was on the cusp of the Modernist transformation of western art, and viewed over the course of the century, haiku would serve as the most important model for Modernist reformers. Through a hybrid of Buddhist and avant-garde theories, Haiku Poetics reveals that haiku and its permutations deploy concrete particulars in abrupt juxtaposition to engage the reader's intuitive apprehension, and suggest via images which must be shaped into allegories. The push to collapse poetry into the act of the perception of objects in the phenomenological world means that this poetry conjures from the unconscious to the physical, and in so doing, evokes greater creative processes. The poets swept up in this haiku revolution that this book examines include Ezra Pound, Paul Eluard, Fededrico Garcia Lorca, Guillermo de Torre, Jose Juan Tablada, Octavio Paz, Jorge Luis Borges, among others.

An introduction to a new way of modeling musical surfaces for theorists and for generating precompositional relationships for composers, this unique music theory reference work introduces, classifies, and enumerates graph theoretical models for musical transformations in compositional and analytical applications. It also provides a practical application of musical applications for students of graph theory and could serve as an introduction to the further cross-integration of these two disciplines. Of interest to scholars, advanced music theory students, and composers, this work endeavors to facilitate the expression and understanding of musical ideas by presenting an unexplored way of notating relationships between transformational objects that is not attached to specific compositional or analytical systems. Graph theoretical models of abstract musical transformations supplement and refine the ability to articulate orderings with pitch structures in analytical environments. An extended analysis of the opening section of Form IV: Broken Sequences by Stefan Wolpe is used as a demonstration. The use of these diagrams to generate compositional surfaces differs slightly from their use in analysis: an analytical model relates to a single musical surface, whereas compositional applications can be used to generate any potential surface derived from construction of the graphs.

The discovery and application of abstract musical properties has had a prominent role in compositional and theoretical literature during the past 40 years, and an accumulation of source material has been produced that makes a single cross-referenced source essential for standard working procedures. Abstract musical properties, most often associated with analytical or compositional systems, are presented here in an unbiased context that allows the reader freedom of association and interpretation. This type of reference is an important tool for anyone who uses set-class analysis in coursework, or independent thesis research. This book is intended to help verify musical intuition and has an immediate practical application for composers and theorists curious about intervallic properties and transformational potentials of any pitch-class set. It can provide supplemental material for coursework involving theory, analysis, and stylistic awareness of compositional or analytical styles, and also for learning and confirming economical presentations characteristic of recent music-theoretical literature. Organized in two parts, the first is a profile of all set-classes in charts allowing quick comparisons among them, including set-class reference tables, set-classes arranged by ascending interval-class vectors, and a summary of transformational invariances. The second part focuses on individual set-classes, listing its contents, subsets, and significant references to the collection in musical or theoretical literature. Internal segmentations of each set-class that are more structurally informative and memorizable than prime-forms are offered. Three appendices, an extensive bibliography, an index of selected analytical viewpoint and styles, and an index of terms are also included.

Dedicated to the late Bertil Gardell, a Swedish Social Scientist, this text comprises of 18 essays that shares a common vision - the impact of work on the interconnected processes of stress and disease.